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"Did you know the oldest structures were built out of stones from the surrounding mountain?" asks Romeo, a townsman willing to talk but not to divulge his last name. Enjoying the first cool breeze of the afternoon, Mario Gazzetta and Romeo, the owner of a jewelry shop, sip iced coffee under the welcoming awning of Café Commercio. Both men are natives of Cagli; Romeo has lived here all his life. Mario has traveled extensively all over Italy and owns houses in Cagli, Bologna, and Gabricce. They share a nostalgic view of Cagli, and reminisce about the past 20 years. It was two decades ago when Italy went urban, causing hordes of people to flood the cities. The formerly rural immigrants did not have a connection to their new surroundings. Not having ancestral ties to the architecture, according to Mario has made things worse. "There used to be a relationship between the people and the architecture, the buildings. Not anymore," says Mario, "now everybody wants to destroy everything."
Cagliese teenagers hang out at Cafe Del Teatro to pass the time
Davide Santini and Andrea Aceri are two teenagers who wish there was more to do in Cagli
These neighbors believe Cagli is a wonderful place for people of all ages to live From left: Piero Giavanotti, Assunta Martinelli, Mariano Luchini, and Egiziana Bettini live with all members of their families in Cagli and believe it offers enough opportunities for young people
"When they built new Cagli, they made beautiful houses but forgot the factories," says Romeo.
The number of university-educated youth in Cagli is steadily increasing, while job opportunities are not.
"A large number of children are forced to leave Cagli to find jobs," observes Assunta, "but across the river there are many factories."
According to Mario, however, during the last twenty years, most of the factories and "activity" of the Commune of Cagli have been swallowed up by the larger surrounding cities. Assunta is adamant that there are multiple job opportunities to be found in the area. Progetto Scuola Lavoro, is a city-run organization that give work experience to Cagli youth. Throughout the summer, Cagli shop owners hire 14-17 year-old students to work part-time. The kids work about four hours a day and earn roughly 200 euro a month. Romeo, however, is not confident that there are enough opportunities for youth returning to Cagli from college.
"The future for the children," says Romeo, "is to go away."
A few blocks away, at Piazza Papa Nicolo IV, an extremely different view explodes from the mouths of the Cagliesi youth.

"I want to launch a campaign to get rid of everything that is old," pronounces Marco Cometti, a 17-year-old sporting a silver nose ring that matches his cell phone. Outside Café del Teatro, roughly twenty kids lounge around the brightly colored tables, drinking Fantas, chain-smoking, and talking on their telefoninos to the three remaining kids in town not within their immediate sight. Marco, like his friends Davide Santini, 19, and Andrea Aceri, 16, proclaims eternal boredom with their daily routine. Andrea, unlike the rest of his friends, works with his uncle as a carpenter instead of going to school, and languishes over the absence of a McDonalds and the recently closed movie theater.

"We would like to get out of Cagli and go to Bologna," says Marco of future travels. Marco and his friends try to travel as much as possible to bigger cities all over Italy. Rome, Milan, and Sardinia are some of the favorites, along with destinations as far away as Barcelona or even Greece. "There are no chances to do anything special," says Davide, who has taken up permanent residence at the Café del Teatro tables, "There is only one swimming pool, which is crap. On the weekends the only thing to do is get drunk."

The older residents of Cagli agree that weekend activities are a problem, but for different reasons. Mario's smile saddens and disappears as he comments on the weekend activities of Cagliesi youth. According to Mario, on Saturday nights the town is turned upside down by the rambling adolescents.


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Text by Deirdre Mullins, Photographs by Deirdre Mullins and Marissa Norkus
Graphics, Page Design & Layout by Diana Richardson

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