A
NIGHT at the OPERA
It is June
22, 2002. A well-dressed crowd ventures to the Teatro Comunale
for a night of lyric opera, featuring La Serva Padrona. People
mill about both inside and outside the theater. Some speak of their
pride in acquaintanes who will perform. Three teenage girls arrive
together and sit in their own box; two look very interested though
their friend appears bored. Two older women seated on the mezzanine
level wave antique looking fans close to their faces. Another woman
studies her program until the bell rings, indicating that the opera
is about to begin. The curtain opens to the voices and movements
of L'Accademia students.
Written
by G.A. Federico, La Serva Padrona is one of Italy's most
known, performed and loved operas. It is a comic opera about the
relationship between Serpina, a young female servant, and Umberto,
the lord of the house. A third character, a mime Vespone, acts as
Serpina's partner in trickery and adds great humor to the piece.
The opera
is broken up into two intermezzi, or parts, which mirror
each other and add balance and symmetry to the opera. At the start
of the first intermezzo, the curtain opens to Umberto, played
by Donato DiGioia, seated in a bathtub and singing of his desire
for marriage. Vespone enters as Umberto, an older man who is a bit
crazy, puts on a robe. Umberto dresses and admires himself in a
mirror held by Vespone, who also acts as Umberto's reflection. The
servant runs about attending to his chores and dotes on his master
for most of the opera. Later he and Serpina will devise a plan to
deceive Umberto into marrying Serpina. The movement from the first
to second interermezzo is smooth and almost undetectable.
No curtain falls and there are no changes in costume other than
the addition of a robe and top hat to Umberto's costume.
In the second
intermezzo soprano Rena Granieri, as Serpina, sings of her
desires to marry Umberto, however he is skeptical and does not believe
her because of his age. Together she and Vespone play a trick on
Umberto. Vespone wears the mask of Capitan Tempesta, literally "Captain
Storm." He and Serpina are then able fool Umberto into thinking
he must save Serpina from the evil Capitan, who beats her. Umberto
eventually marries Serpina and she sings of how she is now the head
of the house. The opera concludes with the two eating wedding cake,
which they offer graciously to maestro Shih-Hung Young.
Because
a direct translation to English does not exist, the clever title
is lost, however a rough translation is "The Servant Master".
Copy by Julie Ryder, Grapic Design and Design Production by
Ethan Tangerini